Alienated Artistry

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The Book Sculptures of Guy Laramee


Kim Keever

“Miniature topographies inside 200-gallon fish tanks, based on traditional landscape paintings. Keever fills the tanks with water once he’s sculpted and placed the miniatures, and colored lights and pigments create dense, atmospheric environments. He views his works as an evolution of the landscape tradition and deliberately acknowledges the conceptual artifice.” 

(via scottbegg)


Kader Attia. Ghost, 2007.Aluminium foil. Dimensions variable.

In Ghost, a large installation of a group of Muslim women in prayer, Attia renders their bodies as vacant shells, empty hoods devoid of personhood or spirit. Made from tin foil - a domestic, throw away material - Attia’s figures become alien and futuristic, synthesising the abject and divine. Bowing in shimmering meditation, their ritual is equally seductive and hollow, questioning modern ideologies - from religion to nationalism and consumerism - in relation to individual identity, social perception, devotion and exclusion. Attia’s Ghost evokes contemplation of the human condition as vulnerable and mortal; his impoverished materials suggest alternative histories or understandings of the world, manifest in individual and temporal experience.


Julien Spianti. Study for “Matriocha”. Oil on canvas.

(Source: sssleepyhead, via actioncityzoolife)


Jaw Cooper

‘Mourn’, 2013

sculpey, glass eyes, acrylic paint, 8”tall

(Source:, via hifructosemag)


Patrick Dougherty

(via darksilenceinsuburbia)


Henrique Oliveira

(via fatherlicorice)


by ash-sansoucie